Since splitting from The White Stripes, Jack White has spent his solo career restlessly shapeshifting. Released on Third Man Records – White’s own label, Frozen Charlotte is a roaring victory lap, finding excellence in an aesthetic between his solo work …read more
Part live album, part greatest hits, part remix album – Nine Inch Noize revamps classics and deep cuts from the band’s expansive catalogue using Boyz Noize’s industrial-tinged techno. Nine Inch Nails need little introduction, since their debut in ’98 with Pretty Hate …read more
Alisha’s Attic’s delivered their eponymous debut “Alisha Rules The World” in late 1996 and received both critical acclaim and platinum sales. 30 years later Mercury Records have quietly treated us to an audiophile reissue on 180g vinyl in a gatefold …read more
The last 6 months have seen Luvcat seemingly blow up out of nowhere. Partially true, it’s taken the alter ego of the Liverpudlian singer songwriter formerly known as Sophie Morgan, a lifetime of honing her craft to reach this point …read more
Brooklyn’s alternative rock band Geese delivers their boldest album yet with Getting Killed, their fourth studio release. Fronted by Cameron Winter, with guitarist Emily Green, bassist Dominic DiGesu, and drummer Max Bassin, the band pushes their controlled chaos …read more
Dublin’s Ciara Mary-Alice Thompson has delivered something truly special with EURO-COUNTRY. After years of relentless touring, musical growth, and well-earned momentum, her third album arrives as a sharp statement of both artistic and critical triumph – distilling everything that makes …read more
There are bands who mellow with age, and then there’s Skunk Anansie, who refuse to, managing to be perhaps the last vestige of actual ‘Britrock’ (NOT BRITPOP thank you Oasis). Their new album, The Painful Truth, continues that defiant streak. …read more
Let All That We Imagine Be The Light is not Garbage reinventing themselves – but rather doubling down on what has always made them compelling: dark glamour, sharp hooks, and that uneasy blend of grit and polish. There is something …read more
For anyone unfamiliar, Clipse are Virginia Beach brothers Terrence “Pusha T” and Gene “Malice” Thornton, the duo that turned coke-rap into high art on early-2000s landmarks Lord Willin’ and Hell Hath No Fury. Sixteen years after their last joint LP …read more
There’s nothing particularly subtle about Amyl and the Sniffers. Nor should there be. Their music is loud, fast, and feral. And with Cartoon Darkness, the band doubles down on that barely-hinged energy but adds something I wasn’t entirely ready for: …read more
